We first discovered Myriam during her performance at the Michael Hurley cover showcase at Casa del Popolo, where she showcased her ethereal guitar work and enchanting vocals. Her next appearance featured a set inspired by the poetry of Dorothy Parker, impressing attendees, including American poet Charles Plymell and Gerard Malanga, who praised her talent. When Richard Meltzer heard a recording, he noted that Myriam's unique approach conveyed a singularity of loss. Her set was both striking and beautifully intricate, transcending description while celebrating itself. Parker's lesser-known poetry, rich in beauty and humor, is skillfully interpreted by Myriam, resulting in an album that offers a radiant homage to the past, present, and future.