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After translating the works of Rilke in Bikol, Cordero, according to award-winning poet Alvin Yapan, “comes into his own voice to articulate that confrontation with the sacred in this collection of four religious songs.”
“This is a meditation on the experience of dis-memberment present in desire and social exile, which are both physical and spiritual, painful and purgative. Cordero shows just how much depth the Bikol language has in its lyricism.”
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